Some cities are lost. This one is hiding.
Across a desert that rearranges itself between blinks, a lone traveler follows a legend older than the sand — a city cast entirely in brass, sealed since the age of Solomon, said to hold everything a soul could want and every warning it should heed.
The City of Brass is a living story-world built to expand across film, series, game, and immersive media — a retelling of the Arabian Nights legend where every gate opened reveals another chamber of the myth.
Follow the road that isn't there.
PLANNED
LEGEND
BUILD
World Trailer
Sand.
Light.
Mirage.
A desert that will not hold still, a night sky thick with stars, and a city that appears only to those who stop looking for it. The landscape is the first riddle — every dune a page of the legend, every gate a threshold into a deeper chamber of the myth.
Location Sheets
The Great Gate
The only way in: a brass door taller than three men, carved with knotwork no living hand admits to making. It has no handle on the outside, and it opens for reasons of its own.
Dust, heat-haze, and the hum of metal that has been warm for a thousand years.
The Hall of Arches
An endless striped colonnade that folds distance like cloth. Walk it straight and you arrive where you began; walk it wrong and you arrive somewhere older.
Cool marble, long light, and footsteps that echo a beat too late.
The Lamp Chamber
Under a painted dome, a single brass lamp waits on a worn carpet — the heart of the legend and the last test before it. Everything the city promises is decided here.
Held breath. A shaft of light. The lamp, waiting to be lifted.
Built to grow across formats
The flagship legend — one traveler, one gate, the whole myth behind it.
A thousand nights, a thousand chambers — one tale per gate.
Read the shifting desert yourself — a city you have to earn.
Walk through the gate — the brass city as a place, not a screen.
The City of Brass — World 005. A working draft of an original story-world. Some imagery is created with generative tools as part of the studio's research — never to replace artists.